Strrrrange shopfront in Soho. Click it to find out more. I was surprised!
Sunday, September 07, 2008
Wednesday, September 03, 2008
Serpentine Pavilion, by Frank Gehry
Wandered over to see this last night, before the Prom at the Albert Hall. You have the sense while outside it that it is solid and weighty and strong, a real edifice - and when inside, that you are in a very light, open space rather than a building. Like being under a pergola in a garden.
Saturday, August 30, 2008
Stilettoes
I don't actually care about shoes, or female ankles. Or male ones, for that matter. This is just here because I like it.
Monday, August 25, 2008
Olympics photo blog
Friday, August 22, 2008
On the shelves
In lieu of a proper Friday night post, because I am feeling tired and would rather like to chill, take a look at one of my many bookshelves instead. Nosey. Truffle-hunt. Enjoy.
Monday, August 04, 2008
Thursday, July 31, 2008
Monday, July 28, 2008
Sunday, July 20, 2008
Monday, July 14, 2008
Money Talks - sorry, *talks*?!
I suppose this all depends on how snooty / particular / loving you are about your coffee. But it isn’t just about coffee, so please do read on.
So, a guy walks into a coffeeshop in Arlington. Over the water in the United States. The coffeeshop is apparently locally renowned for being Very Serious About Coffee. Just my kind of place, really, and everything that Starbuck’s isn’t. He wanders up to the bar, and orders a triple espresso. Poured over ice.
(Here, I have to explain that pouring espresso over ice destroys the crema, that brown greamy goo that sits on the surface. Inside the brown creamy goo are many, many, many of the flavour and smell elements of your little shot of caffeinated delight. Sorry.)
The barista apologises. Explains that it’s against their store policy to ice espresso. The guy fumes, and orders a triple espresso and a cup of ice separately. Pours one over the other. Gets warned that it will lead to a less-than-enjoyable drink. Becomes insulting. Isn’t thrown out, has another drink made for him (as he says, perfectly delicious) a bit later.
Then, he leaves a tip of one dollar with “FUCK YOU AND YOUR PRECIOUS COFFEE POLICY” scrawled on it.
Many interesting questions rear their heads here. One: who’s in the right? Unanswerable. Two: who’s in the wrong? Slightly more clear — the guy, for that insult. Third: does his dollar give him the right to demand anything from a coffeeshop that advises its customers that it doesn’t serve just anything?
I think it says a lot about the wider differences between the work ethic in his country and my country. Here, receiving a paycheck does not mean that you must put up with any shit thrown your way. Indeed, you may highlight important points about your products and policies to customers using your store, or tell off your boss (and, indeed, your customers) for saying something rude to you.
In the States, I get the impression, when you cash your paycheck you sign a lot of your rights away in a very real sense, and your customers (who, I might add, are also employees themselves and should remember their own workaday miseries when about to open their mouths to others) are practically to be treated as if they are on the same level as god. No space for human interplay in a 10-hour workday. No space for you. Or me. Just the wallet and the product.
I won’t harp on the injustices here, or on my distant admiration for the barista and coffeeshop concerned. I will just say this again, though: in their unashamed dedication to an excellent cup of coffee, they appear to be everything that Starbuck’s isn’t.
(Also, lookee here!)
Update: the coffeeshop owner has commented (in a, well... very fiery manner!) on the issue here.
Friday, July 11, 2008
15,000
Well, here’s a thing. A great big thing, made of lots of little ones. 15,000 little Swarovski crystals (black), to be exact. And the work is by Zaha Hadid, who has featured on peripathetic before — as if we matter beside her wider fame!
I don’t have many thoughts on it right now because it was only yesterday that I first came across a photo! But I’m going to do my best to stand underneath it and feel exhilarated, vaguely scared, and frustrated with my camera, when I’m next in London.
Speaking of London, another exciting thing is happening — yes, happening, at Hyde Park. Be sure you don’t miss it — we certainly won’t. We might even refresh ourselves with some coffee on the train on the way home.
Sexual surrogacy. I know: it’s rather jarring after the last thing, but very compelling all the same. Also compelling, a human mirror — a real, live human mirror on a train. People get puzzled and amused, gradually realising this is some glorious mass practical joke.
Not for the squeamish: death of a pig. From a live pig to bacon and pork belly. Videos included. Don’t say I didn’t warn you! But this is where your bacon comes from.
The other day in work, I wasn’t working. Instead I was perusing the work of Ansel Adams, having heard all about him (very famous photographer who had his heyday back in the early 30s and 40s and really made people realise that photography could be art) but hadn’t seen much of his work. And the links at the bottom of the article are really worth exploring. But then, surfing around, I forget where exactly, I came across a page full of old photos of New York City. Marvellous stuff, with which I will leave you. But hopefully not for quite so long, this time.
Saturday, June 28, 2008
Saturday, June 21, 2008
Wednesday, June 04, 2008
Heat in Belfast? No!
It was hot last Saturday. That's true. But I didn't realise it was so hot that the dome at Victoria Square was closed for a time as temperatures hit 30 degrees.
I wandered through, briefly, for the first time, with my friend John and thought, hmm, it's nice. But not that nice. For a start, those wooden platforms could have been made with a single curving sweep of wood, not angular panels. And the surrounding architecture could have been a bit more cohesive.
But at least we have one place in Belfast that's truly hot. That's a first.
Thursday, May 29, 2008
Well, I guess it's still May
Two posts in the same month! That is something, at least.
I was looking at this page of amazing designs by Luigi Colani. The kind of page which makes you want to blog it, too. And then thought, shit, my blog has been untouched for too long. Apologies — I transferred jobs and things have been... different lately!
Full service should resume soon. Or what passes for full service here these days.
Saturday, May 03, 2008
Vintage wartime newspaper goodness
A family friend was clearing out a drawer and found that her mother (deceased when very old a few years ago) had stored a roll of chamois leather away. It was wrapped in some newspaper — this one.
There are many more pages, and closeups, to look at if you click the photo and then the photostream. There are advertisements for Guinness and Lux Toilet Soap. There are wonderful examples of typeface design and typesetting. There are all the telltale signs of old newspapers — a rubber-stamped masthead logo here, a rubber-stamped news item there, no colour, a hell of a lot more news, and some superb writing.
The date of the paper is October 17, 1943, a time when the Allies were moving up Italy as the Nazis, having rescued the deposed Mussolini, had taken temporary control and then been forced to retreat. There is a driven, enthusiastic tone to the main reporting, and this comes from the now abandoned style whereby fact and open speculation are frankly mixed into a single news story. It also, of course, comes from the need for propaganda.
Saturday, April 19, 2008
Keith Jarrett - Tokyo Solo
It’s become chilly in the house today. But I didn’t notice until this DVD had stopped.
It still hasn’t stopped in my head.
After his bout of chronic fatigue syndrome, Jarrett returned to the stage with two solo concerts in Japan, one of which was recorded for CD and published under the title Radiance, the other recorded for this DVD. His style had changed — instead of the familiarly monumental, arching single-movement improvisations, these were a series of shorter, more impressionistic creations.
I said at the time that this new music was pottery very much still on the wheel before the comparative solidity of The Carnegie Hall Concert, and this DVD answers me with as much riveting music as anyone could ask for.
There are times when he abandons note-values altogether; others when he shares his knowledge of Bach and Shostakovich within five minutes of each other and it doesn’t jar in the slightest. Times when, if you’ve heard Radiance or Carnegie Hall, you might wonder why the audience doesn’t applaud at the end of a piece — until you realise with a little excitement that nobody had ever heard him doing this before.
It shows, too — at one point, a person starts clapping late, thinking that the start of a new piece is the final hesitant blush of the last one. His face undergoes a quick crease like wind over water, the music stops for 10 seconds — and never returns, abandoned as he starts again with a completely different idea and carries it for 20 minutes.
Some of you won’t love the relative lack of big, broad tunes and immediately catchy hooks, but you will know everything is alright when you see him give the the audience a little glance of quizzical, playful agreement before each of the three Standards he plays as encores.
The sound is top-quality (5.1 Dolby and DTS if that matters to you), and the picture is just Jarrett and the piano surrounded by darkness, shot wide and closeup from different angles in perfect focus. My advice, as with that of others is, of course, to buy it.
Sunday, April 06, 2008
Greenwich snow
Jonathan sent me this photo he took this morning. It's April, for goodness' sake! And this is central London. Surreal and marvellous.
Sunday, March 30, 2008
Splashes
In the past hour, there has been a rare (for Belfast, that is) storm, with impressive, deep rumbles of thunder, flashes of sheet lightning, and minutes later a torrential downpour of hail.
I stood outside while the hail was coming down, and feared for the flimsy patio roof above my head, in the way you would feel a pleasing terror at a horror movie. When the thunder-flashes came, every few minutes, it was as if you’d blinked when you hadn’t; a tic in the visual field, nothing more. Which was dispelled when the rumbles arrived. Then I read this:
The speed of sound in air is approximately 344 m/s or 1130 feet per second or 762 mph. The speed of light can be assumed to be infinite in this calculation because one must know that there has been a lightning strike before starting counting. Therefore, the lightning is approximately one kilometer distant for every 2.9 seconds (or one mile for every 4.6 seconds). In the same five seconds the light could have circled the globe 37 times.
Ahhh. The world we live in.
Saturday, March 29, 2008
twombly
Well, I can’t wait until the summer, when I get to go to London again, and perhaps just as importantly, see a retrospective of Cy Twombly’s work in Tate Modern. Don’t worry — you haven’t missed anything because it isn’t there yet.
Truth is, I was trying to write a post in my head about a superb film called The Counterfeiters, which I saw last night. I couldn’t because it’s still too fresh. And then I found I couldn’t fully relax into a substantial post about anything much here, because the new way of blogging on this host makes everything seem rather... ill-fitting. It’s like having a new bed. Or writing with a type of pen you’ve never used before in your life.
Anyway, hopefully this post cracks it.
Friday, March 28, 2008
peripathetic has a new home!
peripathetic may have yet another new home in a little while, but that would be the final move. Ever. I'm looking into options and will keep you all posted.
Thursday, March 27, 2008
peripathetic is moving house!
So I'm going to be moving this blog to (hopefully!) http://paperpete.blogspot.com/ as of now. Please update your bookmarks, feed readers, etc. A 'copy' of peripathetic will stay here for a while so that this post is visible, and if the new URL isn't going to be what I think it is, please use google. This is the only blog of this name in the whole world.
Please also bear with me just in case any nastiness of any kind crops up over at blogspot. I'm treating this move to blogspot as really only a halfway house until another possible move to another blogging platform, but we'll see how things go over there. One thing that I can tell you is that your comments aren't going to move across, and only flickr photos will stay. The rest will most likely be replaced with nasty tripod placeholders until and unless I can fix them. Layouts will be different, and I may play around with them or not.
Now, fasten your seatbelts and hope this isn't a bumpy ride!
Tuesday, March 25, 2008
Innuendo
It's only a little butt. I can vouch for that personally. On the side of a bus, Belfast. This ad is about rubbish and smoking - I wonder if the authorities would accept this excuse for more... flagrant offences?
Friday, March 21, 2008
Tuesday, March 11, 2008
Muñoz
This, because i can't get it out of my head, is one of the haunting works in Tate Modern's exhibition. If you can, go before it leaves in the near future. Image from the Guardian.
Monday, March 10, 2008
Musical Habitat
This is a former cinema on Regent Street, London, and is now a Habitat. The cinema Wurlitzer Organ is still there behind the grille on the wall; you can see the console on the shopfloor - and there's a recital once a week. We weren't there for the recital, but for coffee, but the coffeeshop has shut. Shame.
Shades of community
A community centre near Waterloo, opened last year. The colours and overhanging glass are wonderful. It just needed to be a bit sunnier, that's all.
Placeless balconies, Tate Modern
Part of the Juan Munoz retrospective, Tate Modern, London. These were placed on the concourse on level 4, so anyone just walking past the exhibition entrance can get close to them. They started to unsettle me about 20 minutes after I'd seen them and had moved on.
Stepping into air
I made this as light as possible so the dark grey sky would overexpose as white. It worked! Bankside, London.
Shameless
Notice who has nearly finished - and who has barely got a chance to start. Is this equality? Greenwich, London.
Undignified
A bit of fish in the sink and your hauteur goes right down the drain. Greenwich, London.
Upside-down venue
The Queen Elizabeth Hall entrance, reflected in freshly-fallen, foul, cold rain, South Bank.
Winter sheen
I underexposed this as much as possible to approximate the strange effect that bright days can have on your pupils.
Friday, March 07, 2008
Fortified
This building looks like it should be some Cold War era defence complex. In fact it looks a lot like the big spaceship which features in Aliens, in a way. Southwark, London.
Starts here
And keeps going riiiiiight to the other end of the Turbine Hall. It's a lot of chasm/crevasse/dislocation.
Photo opp.
People were making a bee-line for this all the time. Once they noticed it. One girl said "where's the sculpture?" and had to have it pointed out. But despite its depth nobody seems very afraid.
This actually isn't...
...a crack but rather a penetration. Apparently. But it did get surprisingly deep in places. Tate Modern Turbine Hall, London.
Thursday, March 06, 2008
Wednesday, February 20, 2008
Ice Hotel
No time tonight to do anything other than link you to this — the latest incarnation of the Ice Hotel. Salivate, but not too much. You’ll sully the furnishings.
Wednesday, February 13, 2008
Wisdom
Having the tooth out wasn't a problem, but now i am condemned to drink warm, salty water and have no proper food for a while! I promise there'll be no photos of the clotted, gaping socket though.
Sunday, February 10, 2008
The invasion of memory
Jonathan’s post about Googlereality got me thinking, especially as I’m switching over to a new mobile provider which gives me a fancy phone and free internet surfing / email over the phone as part of the deal.
Free internet surfing using a 3G network for only £15 a month?, I thought. There must be a catch. As it turns out, there is — but an intriguing one. You may surf the network’s website and news / sports / weather / info services for free. You may search the net with Yahoo or Google for free. But the moment that you click on a Google search result, you start to get charged for data transfer.
What’s interesting about this is that it’s the user equivalent of paying your library bills to get catalogue access only. And what’s strange about it is that they didn’t limit free surfing to their website only. So is the point that searching is fun, but the end result isn’t? The Google thrill-of-the-chase? Of course not — they want to dangle the carrot, get you to bite it, and then owe them money.
But the googling and reading of the result is like taking a snap of something amazing. It’s easier to lazily enjoy than it is to absorb, and quicker too. I’ve forgotten, very slightly, what the golf course near the forest looked like under the new year’s snow, but I remember very well how the photos look. If I’d left the camera at home, I’d remember more, but you wouldn’t be able to share it with me. Similarly, since we can all find the same stories online, the same glints of oft-linked wonder, are we storytelling less?
I remember reading (yes, reading. Not reading the “reading” entry in Wikipedia) about countless new and strange things with every turn of the pages, and excitedly telling everyone at dinnertime, and wonderful filigreed conversation starting to emerge. A few nights ago, I was stopped short in one conversational gambit when my dad told me that yes, he’d read about that on the BBC website already. End of paragraph.
Luckily, photos are open-ended things, as are poems. If there was a search engine called Googleverse, which gave only poems as search results, and intelligently too, that would be quite something.
As it happens, Google does have something similar. But then, it would. And no, I won’t link to it.
Monday, January 28, 2008
Surface
I had to trump the surfaces mentioned in the last post. And, thankfully, I have found surfaces that aren't just surface at all, but texture and form and movement. And stillness.
Today, while dithering over what to buy in the bookshop with my Christmas giftcard, I came across this wonderful box of Gaudà for a very cheap price indeed, so much so that I managed to buy a book on Tadao Ando’s architecture also.
Ando’s work is austere...? No, I’m not sure it is. Half of his work is the design of the buildings, and the other half is where they are sited. He can put a concrete box without one side in front of a shallow lake, and the lake becomes the building’s missing piece. Equally, he’s not above siting objects outside. The photo above shows some of of Ando’s hard lines in the background, and Richard Serra’s sculpture Joe settles like a delicate — and monumental — curlicue in front.
Of course they put it there because they knew that it and the building would chatter happily away between themselves for decades, if not longer. And similarly, while concrete says “I’ll stay here and be strong and flawless,” so Serra’s big vortex of weathering steel says “Feeling” in the way it curls (up) and blemishes and gets rough-skinned under the weather.
Don’t think, either, that I’m leaving Gaudà out of this — his buildings, all riot and elegant dance in their sequinned dresses, are directly related. They are themselves the point and the setting doesn’t really matter, but the curves and the importance of the surface as a means of expression are... well, very obvious. If you want something to breathe plainness, make it smooth and unyielding. Otherwise... give it some feeling.
Monday, January 21, 2008
Pudding
There is a big difference between world events which happen while you are working, and those which happen while you’re not. Equally, there’s a difference between the smaller, everyday happenings, and in something of an inversion of Wordsworth, it is difficult to recollect emotions or events ‘in tranquillity’ when you got up at 6.15am and haven’t had a chance to stop until 8pm. Events are recollected in a rush, and emotions often writhe like fish out of water sometime before midnight.
But don’t worry. This isn’t a post about how, woe is me, Belfast is in work mode again after Christmas. I just noticed something about myself while slicing Panettone last night. Let me explain.
Panettone, properly made, is a joy. It is a bread so rich and moist and sweet, so packed with candied zests and fruits, that it is entirely fitting that it only ever makes an appearance around Christmas. I had bought a large loaf from Sainsbury’s and spent the holidays — among other activities — happily toasting several slices for breakfast and mumbling blissful sighs. Even if there was nobody else around.
But it’s a difficult bread to get your fingers around. Being soft, and encased in the paper equivalent of a cake–tin which has to be peeled away from the side, even getting a couple of good slices is a tricky affair. And delightful too, since you can pick at the wreckage of your latest attempt while happily surveying the pile of lovely books you got just a few days ago on Christmas morning.
Last night, however, was different. I’m off work today so I don't know why I got impolite with the latest loaf. I was, otherwise, relaxed. Perhaps it was the plane crash at Heathrow a few days back. Perhaps it was the wisdom tooth I will have extracted next month. (It isn’t painful but it’s coming out anyway.) There just seemed too many things to think about when the latest slice crumbled as I tried to keep it thin and even for a Panettone-and-butter-and-marmalade pudding. Suddenly, I hated the bloody thing.
Which was really unfair. I was hurting it far more than it was hurting me, after all. And torn Panettone actually looks far more interesting on the bubbling, golden, fragrant surface of the finished product than pristine pieces would. I don’t remember losing my temper with mince pies when news of the Boxing Day tsunami hit the screens a few years ago; I was positively calm and thoughtful in the face of the news that Bam had been more or less flattened by an earthquake.
What I realised about myself last night was simply this: that when my mind takes something in, it’s a while before it can put it down again. Awarenesses and concerns jostle beneath the surface. And when you’re in the frame of mind where the word –surface– conjures images of the grey plastic of your desk at work and the lighter grey of the dentist’s chair, you really do need a big serving of something special to clear everything up.
Friday, January 04, 2008
Apirlaat
It was 6 inches deep on grass, and 5-and-a-bit on the roads. I live close to a forest, so there are plenty more appealing photos if you follow the link.